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    <title>jvoorhis comments on Remedial listening</title>
    <link>http://www.jvoorhis.com/</link>
    <language>en-us</language>
    <ttl>40</ttl>
    <description>jvoorhis comments</description>
    <item>
      <title>"Remedial listening" by jvoorhis</title>
      <description>&lt;p&gt;For as long as I can remember, I&amp;#8217;ve had a historical interest in rock and roll. I&amp;#8217;ve got a good number of albums covering aspects of every decade since the 60s, revolving mostly around early punk and various post-punk derivations. Lately, however, I&amp;#8217;ve been amusing myself with &lt;a href="http://emusic.com/"&gt;emusic&lt;/a&gt; and have been using it to fill in some unsightly gaps. Here are three albums that I love now and should have loved long ago:&lt;/p&gt;


	&lt;h4&gt;&lt;a href="http://www.amazon.com/exec/obidos/tg/detail/-/B00000372R/qid=1123690374/sr=8-3/ref=sr_8_xs_ap_i3_xgl15/102-8679343-6209720?v=glance&amp;#38;s=music&amp;#38;n=507846"&gt;Unwound: New Plastic Ideas [1994]&lt;/a&gt;&lt;/h4&gt;


	&lt;p&gt;&lt;img src="http://images.amazon.com/images/P/B00000372R.01._SCMZZZZZZZ_.jpg" alt="" /&gt;&lt;/p&gt;


	&lt;p&gt;Listening to this album, you can definitely see the progression of the band, leading up to their impeccable double album, Leaves Turn Inside You. If &lt;span class="caps"&gt;LTIY&lt;/span&gt; is Unwound&amp;#8217;s Mellon Collie, &lt;span class="caps"&gt;NPI&lt;/span&gt; is Siamese Dream.&lt;/p&gt;


	&lt;h5&gt;Favorite tracks:&lt;/h5&gt;


	&lt;ul&gt;
	&lt;li&gt;Fiction Friction&lt;/li&gt;
		&lt;li&gt;All Souls Day&lt;/li&gt;
	&lt;/ul&gt;


	&lt;h4&gt;&lt;a href="http://www.amazon.com/exec/obidos/ASIN/B00000373U/qid%3D1123690669/sr%3D11-1/ref%3Dsr%5F11%5F1/102-8679343-6209720"&gt;Elliot Smith: Either/Or [1997]&lt;/a&gt;&lt;/h4&gt;


	&lt;p&gt;&lt;img src="http://images.amazon.com/images/P/B00000373U.01.THUMBZZZ.jpg" alt="" /&gt;&lt;/p&gt;


	&lt;p&gt;Smiths&amp;#8217;s transitory album between album between his self-titled debut and his relationship with DreamWorks. Either/Or retains the raw production and emotional presence of Smith&amp;#8217;s debut, but spends less time brooding.&lt;/p&gt;


	&lt;h5&gt;Favorite tracks:&lt;/h5&gt;


	&lt;ul&gt;
	&lt;li&gt;Ballad of Big Nothing&lt;/li&gt;
		&lt;li&gt;Say Yes&lt;/li&gt;
	&lt;/ul&gt;


	&lt;h4&gt;&lt;a href="http://www.amazon.com/exec/obidos/ASIN/B00005KAON/qid%3D1123690942/sr%3D11-1/ref%3Dsr%5F11%5F1/102-8679343-6209720"&gt;Ted Leo: The Tyranny of Distance [2001]&lt;/a&gt;&lt;/h4&gt;


	&lt;p&gt;&lt;img src="http://images.amazon.com/images/P/B00005KAON.01.THUMBZZZ.jpg" alt="" /&gt;&lt;/p&gt;


	&lt;p&gt;The Tyranny of Distance is now quite possibly my favorite singer/songwriter album. Folk sensibilities, driving post-punk delivery and intricate guitar flourishes in the approrpiate places. This album is considered Leo&amp;#8217;s peak, and stands as a testament to Leo&amp;#8217;s talent.&lt;/p&gt;


	&lt;h5&gt;Favorite tracks:&lt;/h5&gt;


	&lt;ul&gt;
	&lt;li&gt;Parallel or Together?&lt;/li&gt;
		&lt;li&gt;Under the Hedge&lt;/li&gt;
		&lt;li&gt;St. John the Divine&lt;/li&gt;
	&lt;/ul&gt;

</description>
      <pubDate>Wed, 10 Aug 2005 09:05:00 NZST</pubDate>
      <guid>&lt;a href="/articles/2005/08/10/remedial-listening"&gt;Remedial listening&lt;/a&gt;</guid>
      <link>&lt;a href="/articles/2005/08/10/remedial-listening"&gt;Remedial listening&lt;/a&gt;</link>
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